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It presents the typical American look that can be found in old lettering manuals, however, it is designed to be purely from memory. This font family has now a total of 4 weights including normal, bold, heavy, and light but there are no italic styles included in the font family. The most similar fonts to this typeface are Geogrotesque Font and Stratum 2 Font.
This typeface is a comfortable font that contains very unique letterforms and ligatures, very suitable huge headlines and titles as well as short or lengthy paragraphs, quotes, post descriptions, creating shop/store names, magazines or Newspaper headings, letterheads, resumes, etc. If you want to give an extraordinary touch to your assignments then this font is for you.
This typeface was released under a paid source license, so you must purchase its license before using it in any commercial or official project. With your adobe account, you have complete authority over its features and characters for free. Make your commercial projects with this font free of cost.
It is an easy task to download this typeface on your operating systems. Just go to the download section of our website and click on the mentioned download link. The font would be downloaded without wasting any second.
You might want to install fonts for use with GIMP only or you might not have permissions to install fonts system-wide. For such cases, GIMP 2.x also looks for fonts in a GIMP specific font search path. The default place where GIMP will look for user fonts is ~/.gimp-2.8/fonts/ but you can change it or add other directories by modifying your gimprc or in Edit -> Preferences -> Folders -> Fonts. Then press the Refresh button in the Fonts dialog and start using your new fonts.
This section is mostly informational, for users or developers who want to know more about under-the-hood font handling in GIMP 2.x. In nearly no case would you have to understand and know any of this in order to have font support in GIMP 2.x. See above for adding fonts simply.
Starting with GIMP version 2.0, font rendering is handled significantly differently from the way it was done in GIMP 1.0 and 1.2. GIMP no longer uses the X server to render the fonts. Instead it uses Pango and the FreeType library. Font configuration is handled by Fontconfig. As a result you get much better font rendering with real antialiasing, support for bidirectional text and various scripts.
Fontconfig can nowadays be considered a de-facto standard on Linux and other Unix operating systems as the simple way to list and share the same fonts accross all application. Most modern graphical programs with text support now uses this library. And desktop environments (GNOME or KDE for instance) use it too. Therefore it is likely already installed and properly set up out of the box in most Unix/Linux machines and you have probably nothing to do in particular to have fonts working in GIMP 2.x.
If you use a very raw operating system though, or if you simply want to know more, you may want to have a look at the Fontconfig User Manual to create or edit your font configuration file. Note though that since it is such a widespread system, modern desktops environments such as GNOME or KDE, or other distribution software, may overwrite your font configuration file. They sometimes provide an easier interface to manage your fonts instead. For this reason, you are advised to search the specific documentation of your operating system distribution before updating your font configuration.
Futura remains an important typeface family and is used on a daily basis for print and digital purposes as both a headline and body font. The font is also used extensively in advertisements and logos, notably by IKEA (until 2010), Supreme, Party City, Volkswagen (until 2015), Royal Dutch Shell, Crayola, Swissair, FremantleMedia (until 2018), Absolut and HP in their print ads. Particularly until the 1950s it was used extensively by the publishing industry as a general-purpose font.
Futura has been used extensively in film and video. It is used for the title logo of the 1999 film American Beauty. It was also used in various TV shows including Doug, Lost and Warehouse 13. The most notable show to utilize Futura was Sesame Street, as the font was used whenever letters, numbers, or words were displayed. To make the font more distinguishable to children, some of the characters were altered, such as the addition of serifs on the capital "I", a tail on the lowercase "j", and an open variant of the number "4". Futura is featured ubiquitously throughout the film adaptation of V for Vendetta, for everything from the title logo and ending credits, to signs, newspapers, computer screens and other props. Some filmmakers used Futura in almost every films like Gaspar Noe. Wes Anderson is also fond of the font and used it in some of his films. Futura was also Stanley Kubrick's favorite typeface.
NBC used a modified version of Futura for its original 1986 version of the current logo and its wordmarks.A bold version of the font was used for NBC Sports on-screen graphics from 1989 to 1991, and by CBS Sports from 1992 to 1996.
In 1997, the Pittsburgh Steelers (an American football team) switched to rounded numbers on the jersey to match the number font (Futura Condensed) on their helmets. In 2012 the newly formed Western Sydney Wanderers Football Club used Futura in their logo and for club documentation. The Minnesota Timberwolves adopted Futura during their 2017 rebranding. The National Hockey League's Nashville Predators use Futura Bold Condensed as the font for the names on the back of player jerseys.
Futura Condensed is a condensed version of the original Futura font family. Bold and bold oblique fonts were released in 1930. Medium, medium oblique, extra bold, and extra bold oblique fonts were released in 1936. Light and light oblique fonts were released in 1950.
This is also the font used on the covers of the classic Region 2 Doctor Who DVD covers, and was used on the covers of most Star Trek novels published by Pocket Books during the 1980s. A slimmer variant seems to have been used by the Canadian Tire Corporation in their wordmark and logo. Futura Display is also used in the logo for the manga/anime series My Hero Academia.
First released in 1929, Futura Black is an alternative design that uses stencil letter forms. Example uses of the font include the public safety departments of the city of Boston, the "R" logo of the National Association of Realtors, title sequences of television programs such as The Love Boat and Prisoner: Cell Block H, and as the wordmark for the National Football League's Minnesota Vikings from 1982 to 2003. The movie logo for the 2021 James Bond film No Time to Die also uses Futura Black.
Steile Futura was Paul Renner's attempt to create a typeface that would be closer to the nineteenth century sans serifs than to the geometric model. During the course of development, Renner developed several intermediate versions. Some of the early design could be found in the experimental font called Renner-Grotesk, which appeared as a trial type casting from the Stempel type foundry in 1936. Renner kursiv, a true italic companion to the regular version, was made after Stempel had been taken over by Bauer in 1938.
The font family has rounder letters than Futura Display. For the first time, italic type features are incorporated in the italic fonts. The fonts incorporate handwriting features, especially in italic version. URW and Berthold have released digitisations, URW's under the name of "Topic", its name in original release in some non-German speaking countries. Tasse by Font Bureau is a loose adaptation.
As with all metal type revivals, converting Futura into a digital format poses interpretative challenges. Metal type fonts could be made differently for each text size, so a variety of metal and phototype versions of Futura exist on which a revival could potentially be based. In addition, revivals will need to add characters not present in the original Futura like the Euro sign and Cyrillic, and therefore do not all have the same character set.
This version is based on the previous ParaType design by Vladimir Yefimov (see above), expanded to include seven weights, with Book, Medium, Bold, Extra Bold weights for condensed fonts. Additional Cyrillic styles were developed in 2007 by Isabella Chaeva.
Futuris is a redesign at ParaType (ParaGraph) in 1991 by Vladimir Yefimov that includes Cyrillic characters. Condensed styles were added in 1993 by Vladimir Yefimov and Alexander Tarbeev. It is available in Light, Medium, Bold, Black (without oblique) weights, while condensed fonts were made in Bold, Extra Bold, all without obliques. Also available are Cameo Extra Bold (black in reverse), Shadow Light, Shadow Extra Bold (black with shadow), Volume Light. 2b1af7f3a8